•‘BIG SPACE': Exhibition in 'The Street' space in CSM, [1-3 February 2023], Central Saint Martins, Granary Square, N1C 4AA, London. Creation of hand sawn print on silk and cotton from the photographic series 'Berlin' (2022). Installed suspended in the middle of the building generating lighting- and movement patterns naturally with the air and sun.
•‘PARASI7E’: Online Group Exhibition [25.01.2021]: An artist collective and project developed by a group of creatives from Central Saint Martins, focusing on sound, photography, animation and performance. Available at parasi7e.cargo.site
•‘Mirror Mirror’: [30 July- 04 August 2020] Group exhibition at Tokyo University of Arts, Tokyo, Japan. Collective photographic exhibition created and curated by Cheuklin Wu and Siyan Zhang using mirrors to convey the global pandemic in 4 themes: sky in the mirror, the colour red, intimacy and visible sound. Project selected by LOHAS Magazine for July 2020 edition.
•Foundation In Art And Design Summer Show [5 May-11 May 2019] Camberwell College of Arts, Foundation Centre 1 Wilson Road. Production of 'Keith Mirror | What's He Building In There?' photographic series and installation with sound.
Events (Sound)
•Sonic reverb collaborative project | sonicreverb.tumblr.com This page is a collection of work created by CSM Fine Art 4D first-year students centering around the sonic and its reverberation in new situational contexts. The Event was one day and it was open to the public for 1 week. My work 'La Creacion', focused on the contractions of the body and beats. I recorded daily lockdown sounds and started to experimentat with low frequencies. Inspired by hip-hop and Spanish Nightlife, this song is also a careful analysis that deals with the language and rhythm of poet Gustavo Adolfo Becquer and every sound you hear is a symbol alluding Romanticist language, as well as the beat, following his typical rhythmical structures and symbolism.
DND Emotion Map with Ambient Sound Forest, HTML Maze and Virtual Reality Space. Event in Collaboration with N. Wong Zhao and A. Pert.
ABOUT ME Commercial photography and event photography. Graphic designer experienced in editorial design with an interest in branding and vintage typography.
I have been working since 2017 with Fine Art photography (Astrophotography, Infrared Photography and Underwater photography) and landscape photography for big scale prints for restaurants, hotels and private clients.
Event photography (private and public events, music, festivals, fine art, fashion), artist portraiture, artist's studios & processes. Experienced in medium format cameras, broadcast and film cameras. Junior videographer, experienced in film and cinematographic assistance for commercial productions. About my practice
LANDSCAPE AND LIGHT
I started by modifying my camera to be able to take Infrared photographs in 2017. I was fascinated by nature and light. I captured the desert landscapes of my home and continued going on trips to the most remote places to photograph a broken and mysterious beauty. I started to work with astrophotography, Infrared photography and with light painting. In 2022 I obtained my boat license and started underwater photography and field recording. My aim is to build a sustainable future, educating through images.
GRAPHIC DESIGN
I am highly interested in branding. I am intrigued by the psychology of colours and type. My 2023 BA thesis work dealt with the principles of perceptual psychology, the effect of perceptual distortion through light, colour and sound in the space and its effect on the consumer and the audience. I am inspired by designers such as Louise Fili and Robert Wilson. I make use of alternative photographic techniques such as printing with chlorophyll, transaquatypes, light-painting, Cliche-Verre or other printmaking methods, in order to create my graphic works such as posters, flyers, album covers and editorial publications.
ANIMATION AND SOUND
I play the piano since I was six years old and have played several instruments, including the one that I cherish the most: the drums. I produce music as a hobby and I am highly influenced by street dance and rhythm. I try to translate rhythm into colour, sound and texture. The futuristic visuals in my work, sometimes dreamlike and colourful and sometimes dark and macabre, are influenced also by theatre and literature. Each symbol signifies something in the works. my 'sets' are meticulously planned. Each component constitutes what I like to call 'the stage'. After the pandemic, my practice has shifted to translating my landscapes into C4D and working with animation and video (The Creation series, 2021).
